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Okay Folks! I worked a deal for you!!

If you call the number below (818-842-6611) to register for one of these two events and you use the promo code "Quintessential" you will save 20% off of the regular price. That means it'll be $480. That's even $69 cheaper than the "Early Bird" special!

So, even if you miss the Early Bird Special, you can get this discount, if you call to register and use the promo code "Quintessential"!

Hurry and register by phone. This offer may not last that long!!!!

To learn more about P2 Camp:
http://www.hdexpo.net/education/p2/index.html

The Last HD Expo

It was officially announced at this last March's HD Expo that HD Expo will no longer be called HD Expo. They are going with a new moniker, Createasphere.

Createasphere seemed to me more of a social networking site that HD Expo was a part of. I say that because after attending last year's HD Expo in Burbank, I was invited to join the site and it was an industry related social networking site. But it turns out that they are going to do all of their business under the new name.

If you want to get a head spin, checkout the footer of one of the HD Expo website pages:
"Copyright © 2009, HD Expo, LLC a division of All rights reserved. HD EXPO, High Def EXPO, Virtual HD EXPO, HD EXPO Workshops, Createasphere, High Def EXPO Workshops, VariCamp, P2 Camp, ColorCamp 101, and Lighting, Filters & Gels for HD are all trademarks of HD Expo, LLC." Now that's a lot of names to mess with!

I attend a lot of events during the year, as any reader of my blog would attest to, and I do have to say that the HD Expo is one of my favorite ones. I even took a day off of work to attend it.

Because of my prolific tweeting, I caught the attention of one of the HD Expo people and they bumped my registration to VIP. That was a total surprise and highly appreciated.

Hey! If any Createasphere people want to send me to P2 Camp, I'm down for it!

The VIP pass, which is the way to go, in my opinion, let's you attend all of the seminars during the expo and gives you access to the VIP/Press lounge, were you can cool your heels and grab a snack or drink. Nice perk for a long expo day. It turned out that the parking was completely validated too.

After a year of really getting active with groups and activities, I've started to see some of the same people. I ran into more people at this event than I ever have before. I think because this is a really popular event. In fact, at the first seminar of the day, Extreme RED, I ran into my friend Craig (of http://cmieritz.blogspot.com/) who I sat next to in Intro to Pro HD class, last summer.

Other noteable meetups were Mike Horton (LAFCPUG), Thomas (LAFCPUG and DMA/LA), Moy (who I met at the Digital Cinema Society L.A. Green Screen Event back in Dec.) a 16mm filmmaker and two friends from QLogic.

I feel like I know Ted Schilowitz (Leader of the Rebellion at RED Digital Cinema) and Rodney Charters (ASC who works on "24") already, because I've seen so many presentations by them but alas, I'm just a fanboy.

[Funny incident last year: I was standing outside of the Apple Final Cut Server World Tour L.A. waiting for my car at vallet and so was Ted. At the time, I didn't know who he was exactly, even though I had been watching his videos on the Red.com site. I noticed a RED emblem on his bag and I said, "Hey! Are you with RED?"

"Yes."

"Oh cool!" I said, "I will get one, someday."

"Great."

Well, later it dawned on me who he was and I told my wife, "Hey, you remember that guy from RED? Well he's ...."

Okay, so maybe it wasn't so amusing....]

Well, both Ted and Rodney were part of the "EXTREME RED - Decking out the RED One for OUTRAGEOUS results" intensive workshop. Also there was Stefan von Bjorn, steadicam operator; Chris Burket from Element Technica and Cliff Hsui (Pronounced Sue-"E"), Senior VP of Marketing and Technologies, Sim Video.

Cliff showed off some of the accessories they have at their stores for the RED One.

Then Chris from Element Technica presented a TON of accessories, many of which were VERY cool. Definitely check them out if you want to outfit any camera.

Rodney Charters represented the slimmed down RED One user, all packed into a overhead compartment freindly photographer's backpack by Think Tank (http://www.thinktankphoto.com). He demoed some footage he took in North Korea (which was hard to get) right off of his 17" MBP.

His kit he took to North Korea:
Think Tank Bag
Cannon 5D MkII
Cannon Lenses
Some flimsy tripod but now replaced with a Manfrotto carbon fiber tripod
Microphone, shotgun.

He also was very hip to:
300 feet wireless HD transmitter
an audio component by zaxcom (who make the deva) $1000
Lens baby (Butterfly and the diving bell fame) http://lensbaby.com/ ($250)
Boom recorder ($240 software that allows you to record up to 96 tracks on to your MBP)
VoyagerQ newertech: http://www.newertech.com/products/voyagerq.php

Stefan von Bjorn:
Developed a battery swap mechanism for the RED. Tentatively called "The Swap" (trying for $900 target price.) He has a website called http://redcameraowner.com

A two-minute
Scarlet and Epic video (fan made), basically all of the earlier renders in a video.

RED One weighs about 10#
Scarlet s/b 3#
Epic s/b 4#

Ted says:
Sensor program is moving along nicely... creation of these new products is moving along nicely...
"The 5K sensor is up and running in the lab making pictures now."

That's about it for the Extreme Red portion of the show.

Homework places for RED workflow:

REDuser.com

Post houses:
Plaster City
Photo Kem(chem?)
Riot

Key Code Media
Sim Video

In NY:
Off Hollywood

I then went to the VIP room and grabbed an apple and some water. Coffee was out and I guess there were sandwiches but they were gone. Wait, didn't I say VIP was the way to go? WTG VIP!

I strode the showroom floor and gandered at at stuff. I was on a mission to find a backpack bag and a monopod, so I didn't see too much, although there was a LOT there.

Then I went to the Mac Professionals Intensive, where they talked about their "ultimate" setup and their training.  I sat for about a half an hour and it was okay.  A lot of tech talk and speeds etc but I had their website, so I figured I could go there for more info.  (Turns out I was wrong about that!  Even an email to their company was replied with, "We'll have more info soon".)

Wandered around some more and ran into a bunch more people I know, which was way cool and then pretty much wrapped the expo by attending the How to do an Indie seminar. 

Here's a good article on it:

http://www.studiodaily.com/blog/?p=1137

Swag from HD Expo (YMMV):

Creative Handbook shopping bag
Birns & Sawyer 4x SD card holder keychain.
Birns & Sawyer mini 4-way screwdriver
G-Tech Pin
Hollywood Post Alliance sticky notepad
Definition Hidef Sourcebook 2009
11 magazines:
*ICG (International Cinema Guild) Jan 2009
*ICG March 2009
*Filmmakers Alliance Magazine Spring 2009
*P3 Update March 2009
*Post Magazine March 2009
*American Cinematographer March 2009
*HD Video Pro April 2009
*Student Filmmakers Jan 2009
*Student Filmmakers Dec 2008
*Studio Monthly Mar 2009
*Film and Digital Times Feb 2009
Creative Handbook 2009 poster calendar
Creative Handbook poster stage rental directory
Free Drink Coupon
Free coffee, juice, water, apple, soft pretzels, party mix, various candies and parking

Will be posting new blogs here until we fix a problem with our site

Sorry for the confusion but we will post new blogs here until we are able to fix the blog on our website.

ACE's 9th Annual Invisible Art Visible Artist Seminar

American Cinema Editors (ACE or A.C.E. as you see after some editor’s credits) the honorary society of motion picture editors, puts on an annual event every pre-Oscar Sunday Saturday, the Invisible Art Visible Artist Seminar.

This event is a free event but it’s a first-come-first-seated event.

Thanks to Norman Hollyn (http://normanhollyn.com), I found about this event and I ended up attending.

My attendance to this event was a series of luck that’s for sure. I had first thought the seminar was a paid event but because Norman Hollyn asked if anyone was going to this free event, I quickly realized it was free and hustled to take the morning away from my day job to attend.

I happened to leave early to go to L.A. If I hadn’t, I wouldn’t have gotten in. The line into The Egyptian Theatre, where it was this year, wrapped around the block and I got one of the last 40 tickets to get in. Somehow, I also got to tenth row center of the room. I zigged when others zagged.

BTW, Hollywood Blvd. is now halfway closed because of the Oscars tomorrow. The street is all a buzz with Oscar fever.

To find out more about the ACE event go to this webpage: http://www.ace-filmeditors.org/newace/mag_invisible_art.html. Basically it’s the 2009 Academy Award nominees for best achievement in editing discussing the art of editing. Each editor or team presents one particular clip from their nominated film and talks about the particular challenges of it.

Today, it was Lee Smith (The Dark Knight), Kirk Baxter and Angus Wall (The Curious Case of Benjamin Button), Chris Dickens (Slumdog Millionaire), Elliot Graham (Milk) and Mike Hill A.C.E. and Dan Hanley A.C.E. (Frost/Nixon). The moderator was Alan Heim A.C.E.

The first question that went around the panel was, “How did you get started?” Some of the good ones:

“…the piece of advice that I give out which I’ll get in trouble for because the police don’t like it. My advice to people getting into editing is to stalk someone!” — Elliot Graham (then he gives his examples) I think he just created a theatre room full of stalkers!

“I went from being a prison guard to an editor.” — Mike Hill, A.C.E. (true story)

The first clip played was from The Dark Night. This was the big truck chase when the bat vehicle turns into a motorcycle and all the explosions and stuff. It was a long clip. This part of the movie was shot on a 65mm IMAX camera and cut on an AVID. There were a lot of special effects and Lee Smith described the timeline having lots of “skyscrapers” on it. (this is to describe the tons of layers/tracks on it)

He also described the lack of music as a choice they decided to use for this scene to play up the action and effects of the scene, which others agreed was a refreshing aspect to the scene. (And a point that my Uncle would love, Lee commented on the center sound channel being low in the theatre.)

There’s no CGI in the scene but there was model work. (1/6th scale models were used on the truck blowing up part of the clip).

The next question for the group: “How do you structure a scene?”

“I approach each scene as it’s own little mini movie and treat it like that with it’s own beginning, middle and end.” — Mike Hill, A.C.E.

“I’m a nervous wreck when I cut a scene.”
“You go with your instincts and you muddle your way through.” — Dan Hanley, A.C.E.

A scene from Milk was the second clip to be shown. This was one that started with Harvey Milk and Dan White (drunk) and ends with Harvey at the podium of the Gay Pride Day Parade/Celebration, 1978. This was a very moving clip. There weren’t too many cuts in the confrontation scene because both actors were just riveting. Elliot talked about the pain of losing great performances with a cut. Dan Hanley and Mike Hill talked about the same and about leaving good performances in. Chris Dickens talked about doc style shooting and holding shots.

The third clip is from Frost/Nixon, when Frost turns the tables on Nixon during the interview. Again, a really great clip. Mike lists some of the great actors Ron Howard has used in his movies. Robert Duvall is in the list. I really like Mr. Duvall, so that was a nice moment for me.

Next overall question was: “Length of the movie, How do you negotiate the length of the film?”
For example, Benjamin Button was 2 hours and 45 minutes long. (This discussion makes me want to listen to the Creative Screenwriting podcast for Benjamin Button!) The Benjamin Button editors and Alan Heim talk about how this movie and Zodiac were both long movies. Lee Smith, whose Dark Knight film was 2 hours and 30 minutes, quips, “Yeah! Those were both really long movies!” He goes on to say that you just have to work to find the “sweet spot”.

Did I mention the kid next to me has “shaky leg syndrome” and can’t sit still to save his life!

Chris Dickens states that Slumdog Millionaire was always intended to be two hours. First it was a contractual situation but when Fox(?) pulled out, it just became a desired time. Especially when screening audiences are fidgeting.

Then comes the Benjamin Button clip. This is the clip where he is a 7 yr-old old man at the revival tent. Kirk and Angus talk about the scene and how it was to cut without the star in the scene. They felt it was flat. They said that Brad Pitt was great at coming in and fitting his movements to the already body-modeled scenes, very few takes. Also talked about the back and forth when there is two editors.

There was some banter about do we really need actors and Alan Heil quotes The Producers, “Next time I do a film, no actors!”

Last clip of the day, Slumdog Millionaire. Chris apologized for the “downer” clip in the company of all these upbeat clips.

This was an amazing clip and made me want to see this movie more than ever! Chris Dickens talked about how much beautiful footage/scenes there were and how it was hard to see them go. Slumdog is from the book Q & A.

That was that on the clips and so the last portion was questions from the audience but were questions read from a woman (Diane Adler maybe?) (Answers are paraphrased here.)

“What was your most memorable day on your film?”

Mike and Dan - the end of the film and the screening
Chris - 1st day in mumbai with the star getting his head dipped in a water bucket.
Angus - the day they screened and I was late and when the lights came up, all the animators were in the room!
Lee - The day they had heard Heath had passed.

“Scenes dropped you regretted losing”
Lee - no, none were dropped! (a joke about how long the film was, I think.)
Kirk - No, we didn’t cut anything.
Chris - Hated cutting the kids’ scenes.
Elliot - No, but glad that some were cut, like this one long montage scene.
Dan and Mike - No

“How has your passion for editing affected your personal life?” (This was my favorite question, as a new editor, I am learning a lot about this sacrifice and am very glad that I have an understanding wife!)

Lee - Lucky to have a supportive wife.
Kirk - You don’ want to be home all the time. My daughter still doesn’t get it though.
Angus - Works with his wife but has two sons. “It’s hard.”
Chris - Wife likes the idea of it but hates the reality of it. It’s hard.
Elliot - I have no life, so no compromise.
Mike - Lives in Omaha, NE so treats being home like being on vacation.
Dan - My wife is probably glad I’m away a lot. Actually, she’s a saint.

“Most re-worked scene?”
Dan and Mike - The opening and all the mixed footage.
Elliot - The scene that starts between Harvey and Scott then to Dan White and to the phone call and then Dan in his underwear, etc. The whole interaction there.
Chris - The opera scene. First it’s in and then it’s out. Back and forth a lot. In the end it’s not there. Just a little tiny bit of it.
Angus - The Mr Cake clock scene
Kirk - Same (It was the first shot, so I think that has something to do with it.
Lee - Joker plants bombs on ferries scene. There was 22,000 feet of just crowd reactions for that scene. There would have been no way to get that (edited) on film. Thank God for non-linear editing!

And that was that.

So, thank you to Norman Hollyn for letting me know that it was a free event and for the contact you directed me to and thank you to ACE for putting on such a great event.

P.S. Since I like free stuff so much, it should be noted that we were handed not only a program but also an And The Winner Is… Insider guide to the Oscars 2009 and an Editors Guild magazine!

LAFCPUG, a Year of FCP and Confessions of a Seminar Junkie

Well, it’s almost been a whole year since I started this whole FCP and video editing journey.

I started my first FCP class Feb 18, 2008.  And started Final Cut Pro (the software program) for the first time on March 10th.

It was at that class that I learned about the Los Angeles Final Cut Pro Users Group and I attended my first meeting March 26th.  I’ve gone to every one since and because I love seminars and presentations and lectures, I’ve added many other events to my itinerary over the past year as well.

I’ve long been a fan of seminar-style learning, heck isn’t that what it was like in Kindergarten?  Someone who knows something much better than I, up there telling me how it all works.  Raise your hand, ask a question and get an answer or better yet, raise your hand, give an answer and feel all warm because you’re being praised for such a good job of understanding!

I’ve always been kind of a “brain” and “teacher’s pet” in the eyes of my schoolmates.  But one thing I was bad at was homework.  I procrastinated like nobody’s business!  Report due next month?  Why I’d wait until the morning of and copy stuff out of the encyclopedia, being very careful to “use my own words” for fear of being charged with plagiarism!  Despite all of that I made it through school fairly well and only partied my GPA down to a B+ my senior year of high school, when I figured I was just going to have fun.

I’ve given up partying and have improved my study ability in the years hence.  And now at an advanced age of forty-one, am filed with purpose and drive.

The motif of people who do well at what they do seems to be, “I’ve always wanted to do _____!  Ever since I was a wee lad/lass, I’ve been doing this in one form or another!”  I’ve done lots of things from childhood and I have to admit those things I’m pretty damn good at.  But there’s another type that I hope I am.  One that has always wanted to do something and then when he is finally able to put all of his resources together, he goes and does it and he excels a it.

Well, that’s my plan for editing and maybe a bit of film making.  I fully intend to win an Oscar for editing, even if it takes me to eighty years old.  Hopefully not that long but I’ll keep doing it until I do and beyond, (Insert your favorite deity or force here) willing.  I haven’t always done editing nor film making but I’ve always had a desire. (I even took a year off of high school to try to pursue cinematography.  Long story and I didn’t even get close to doing it but the desire has been there for a long time.)

Now, my love for seminars even transcends to tape and CD lectures.  I buy business related “infomercial” products too.  One of the best I ever bought was a business and marketing kit by E. Joseph Cossman.  Just amazing stuff.  When I go to lectures, I try to record, either by video or audio the event too.  Usually via a pocket recorder, these days it’s been with my Palm TREO 700p.  It can record video for hours.  What a great feature.  Heck, I have all my FCP classes and all of my LAFCPUG meetings on video.

I guess I would lump conferences and conventions in to my “lectureous” desires too.  I especially love to get swag at conventions.  I’ve been to three eBay Lives!  You don’t want to see my embarrassing collection of eBay trading cards!  The funny thing is that the free swag at the events always ended up paying for the trip to the conventions with more left over!

In addition to the LAFCPUG meetings this last year, I have attended the Apple Final Cut Server World Tour in L.A., where my wife won an 8G iPod nano; DV Expo; FCPUG Supermeet; Birns & Sawyer lighting seminar; Digital Cinema Society green/blue screen event and the HD Expo.

In addition to my FCP Editing class, I took Intro to Pro HD with Discovery and History Channel Producer/Director Jim Lindsay.  An amazing life experience where I learned a lot not only about shooting professional HD but also a lot about the business as a whole.  In this class, Shane Ross taught a couple days, we went to EFILM and to Plaster City Post.

This year, I also was able to be on set for Prison Break and meet with the director, DP, editors and an assistant editor of the show.

Truly, LAFCPUG has been “bery bery” good to me!  Not only do they have great presentations and great people to meet but also they have a raffle that, if you actually go ahead and buy some extra tickets for you will very likely win something.  Like I said, I have attended the last ten LAFCPUG meetings (they didn’t have a December meeting).  And I have won something from the raffle eight times and of the two times I didn’t, once was because I got there late and couldn’t get any tickets but even then I got some free pass to an expo!

This new year, I have been doing a lot of webinars and eseminars and podcast watching/listening and streaming video watching.  There is unlimited data in this vein.  And I plan on going to a lot of events.  I have to take a four month hiatus from LAFCPUG because of a class commitment, but it’s killing me….  I guess I’ll have to order those meetings off of iTunes!

If you are into FCP and are in the L.A. area, definitely check out the LAFCPUG meetings.  Here’s a link for more info: http://www.lafcpug.org/user_schedule.html

Next Blog: Norman Hollyn and why you need to buy and READ his book, The Lean Forward Moment.  BTW, he’s going to be presenting at LAFCPUG in Feb, so go see that for sure!!!!

The 8th Annual Macworld FCPUG SuperMeet

Arrived VERY early to the 8th Annual Macworld FCPUG SuperMeet.  They didn’t stop you from hanging out inside the building, so I went in and hung out and watched the vendors setting up their tables and finished my Vente Soy Vanilla Creme/Steamer.

At first, I had some internet access, so I did some emailing, twittering, etc.  Later it no longer worked and I had forgotten to charge my Treo, so twittering was minimal during the show.

I sat in the lounge area and rested.  Little did I know, but there was a super star presenter hanging in the same area.  An unassuming character but later I would find out, quite a dynamic presenter and AWESOME animator.  The fantastic M Dot Strange.

On the way in, I met Dan Berube of the Boston Final Cut Pro Users Group.

Waiting around, I saw Norman Hollyn (buy this book) and he and I chatted a bit beforehand.  I also ran into “thedrige” from twitter, who said he’d be there too.

Also got to talking with a Santa Cruz pod-caster from Futuremedia who did Obama rally podcasts. Funny guy.

Then we had to line up for our goodie bags and I swear I saw Iris B. there.

During the show, I was lucky enough to sit next to Norm and we both twittered updates of the show but he kicked my butt because he 1) had an iPhone and 2) didn’t have a low battery. In fact, check his twitters out by doing a Twitter Search on #FCPUG, he’s “schnittman”.

The first presenter was Blackmagicdesign who previewed their new DeckLink Studio and DeckLink SDI card for the Mac Pro. That DeckLink Studio is a pretty neat and at $695, quite a steal!

Next up was Christine Steele, who is a kick-ass editor and she gave good tips and tricks for editing in Final Cut Pro.

Bruce Nazarian talks about burning Blu-ray on the DVD using Toast 9 or 10.

Then Craig Yanagi of JVC announces their secret acquisition product: GY-HM100 a very light-weight (3 pounds) camera that shoots onto SDHC cards in native QT files. Craig was quite excited about his announcement. He should be as he was presenting for the President of JVC who was in the audience as well. But the crowd, especially me, seemed mostly unimpressed but sure wanted to know the price point on this little baby. Answer, under $4,000. It’s like a mini HVX200 that you don’t have to log and transfer footage on. The format is actually xdcam-ex. wrapped with QT.

And I’m thinking, “Who cares about ingesting or not? WE are EDITORS, we get paid to do that and you are presenting to editors.” (well more like a bunch of indie filmmakers really). I still would have to buy a card reader! While JVC worked closely with Apple on this, I feel it was 1) unveiled to the wrong audience (although it was nice to be the first), 2) too little, too late and 3) not making me want my Scarlet any less.

Then Apple gets up and and demos how fast it is to edit and then right on to how cool RED is! Ouch! “Thanks Apple!” “No problem JVC! Now get out of the way!” Yikes!

Then the break. And I’m thinking, “Cool! Now the raffle” But wait! There’s part two and THEN the raffle.

Part II

Eric Escobar: “Plug-Ins Won’t Save You”. Great presentation on planning out your characters and shots and the “Looks” involved. Check his blog here: http://prepshootpost.blogspot.com/ or his website: http://kontentfilms.com/

Yun Suh: Clips from the documentary film “City of Borders”. Very good thoughts on the editing and film making process.

Then, oh hey! it’s that guy in the lounge, he must have a show and tell to give and he came all early and nervous and stuff….

Boom-bastic! Here’s M Dot Strange!!! Funny guy! 3d is cool, z-space is totally cool. “Boning models” and the whole thing! Then he shows us some of his projects! Fuck (<- I throw that expletive in because it's not m dot strange with out one!) yeah! Hella cool! The old guys sitting behind me are holding their ears and saying, "I hope this isn't representative of the future generation". Sorry old man, it is!

Check his wrex at YouTube.

And now the raffle!

Holy shiza there was a lot of stuff. I didn’t get any but I did get my eco-friendly bag and an Aperture2 book. And an Automatic Duck key chain! (That’s a joke for all the LAFCPUG peeps but it’s true!)

My SuperBag Swag (all bags varied):
8-1/2″ x 11″ Apple training notepad
BBC Motion Gallery sticky note notepad
Artbeats Resource Disc
Larry Jordan & Associates “Almost 30 pf Larry’s Favorite Final Cut Pro Keyboard Shortcuts” mouse pad
ZIO PRO Presents Final Cut Pro 6 DVD (90 minutes, 11 Lessons)
Apple Pro Training Series Aperture 2 book
Apple pen
Larry Jordan & Associates pen
MacProVideo.com 25% off card
MammothHD.com Free HD clip coupon
CSB School of Broadcasting 20% discount card on training
The Foundry 20% discount on Keylight or Furnace plug-ins
pond5.com 25% off on footage
Weynand Training International discount on Apple Pro Training Series Final Cut Pro 6 book for $35.75
and additional discounts on training and tutoring
Focus enhancements 5% off at VideoGuys.com
Peachpit 35% off of two new New Riders books, Edit Well and The Lean Forward Moment (44.95-35%=29.22)
20% Apple Training discount
and…
an Automatic Duck Keychain/bottle opener.

Swag at tables:
Adobe cell phone sock
GenArts lazer pen

P2 Card Transfer using PC Laptop to Mac Tower

I originally posted this as a reply to a Creative Cow Forum post but figured I’d share this bit here as well:

I’d like to add an option that might help some people. Use a PC laptop that has a PCMCIA card slot and 1394 port and an external firewire hard drive as an intermediary between your P2 camera and your final editing Mac tower.

The workflow goes like this. Insert the P2 card into the PC’s card slot. Copy the P2 cards (in their entirety, as I’m sure is covered in Shane’s tutorials) to the laptop hard drive or the external hard drive. Copy the files from the laptop hard drive to the external hard drive (if you haven’t got them their already). Take the external HD to your tower and log and transfer or copy to your editing HD and then edit.

The rub lies in the formatting of the external hard drives used. And here is where I am happy with using MyBooks as external (transport and secondary backup copy) drives. and only here, as I don’t trust them beyond this. MyBooks come formatted as Fat32, so they are easily read on the PC automatically and they are cheap. My G-Tech isn’t recognized by my PC laptop, ’cause it’s formatted as Mac OS extended. I find that my Mac G4 tower reads them as well, formatted just as they are. So they work as the perfect transport HD from that PC laptop to my Mac tower.

I’m big on having redundant data, so I like to have multiple copies of everything around and the MyBook, while having a bad reputation, works good as an additional backup, and I stress ADDITIONAL backup. The 1TB MyBooks that I get at my Costco have USB, FW400 and eSATA for $139. Makes for handy data transfer with whatever connections you’ve got. Heck, in a pinch, you might even be able to get away with copying the data via USB!

Additional notes: I haven’t run into the file size limitation that you might run into with Fat32 formatting, so you should keep that in mind.

I’ve since moved on to a MBP and Duel adapter, but the above got me through my P2 HD class and helped a lot of other students get their data off their P2 cards as well. Plus it’s a lot cheaper than some of the other solutions. Hope this might help some others too.

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